Friday, October 25, 2019
The Representation of Masculinity and Violence in Henry V and The Rover
The Representation of Masculinity and Violence in Henry V and The Rover         Representing violence as an essential tool to gaining control, Henry V     is dominated by masculine power, in this case, with the control of     France.       The cast is mainly male, containing just four female characters,     namely Mistress Quickly, Isabel Queen of France, Katherine her     daughter and Alice, the attendant.       The chorus sets the scene of war in the prologue, with ââ¬ËThen should     the warlike Harryââ¬â¢ and ââ¬ËThat did affright the air at Agincourtââ¬â¢. This     image is further represented when the Archbishop of Canterbury is     conferring with the Bishop of Ely about the King, ââ¬ËList his last     discourse of war, and you shall hear / A fearful battle rendered you     in music. (I.1. 43/44), and further on ââ¬ËHis hours filled up with     riotsââ¬â¢, (I.1. 56).       Henry lays responsibilities on others for his actions, justifying     these actions by appealing to the church for answers, a Christian     King, putting all his trust in God. In his speech to the Archbishop of     Canterbury, Henry threatens the violence of war, as he appeals to him     with ââ¬ËFor God doth know how many now in health / Shall drop their     blood in approbation / Of what your reverence shall incite us to. /     Therefore take heed how you impawn our person, / How you awake our     sleeping sword of war.ââ¬â¢ (I.2.18-22), placing responsibility on     Canterbury for the violence that will ensue from him usurping the     French Sovereignty. Canterbury confirms Henryââ¬â¢s entitlement to France     with his ancestors having held it, also stating that the Salic law is     not upheld in France, this being that ââ¬ËNo woman shall succeed in Salic     landââ¬â¢ (I.2. 39). He states ââ¬ËT...              ... horror at this sight,     that tells thee, / Thou hast not long to boast thy shameful conquest?ââ¬â¢     (P.235 The Rover).       In conclusion, Henry V seems to maintain gender boundaries, with     masculinity being active alongside violence. Whereas The Rover stands     between the acceptance of masculine power and female dominance.           Bibliography       OWENS, W.R. and GOODMAN, Lizbeth, Ed. Shakespeare, Aphra Behn and the     Canon (London: Routledge in association with the Open University,     1996).       BEHN, Aphra.  Oroonoko, The Rover and other works (London: Penguin,     1992).       SHAKESPEARE, William. Henry v (London: Penguin, 1968, 1996).       Audio / Visual       TV 3:  The Authentick & Ironicall Historie of Henry V       VC 1:  A210 Approaching Literature: The Rover       Audio Cassette 6: Henry V  AC2125       Audio Cassette 7: Henry V  AC2126                        
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